Michael Stuhlbarg, Richard Kind, Fred Melamed

A black comedy set in 1967 and centered on Larry Gopnik, a Midwestern professor who watches his life unravel when his wife prepares to leave him because his inept brother won't move out of the house.

Flixster Users

74% liked it

24,704 ratings

Critics

87% liked it

161 critics

R, 1 hr. 45 min.

Directed by: Ethan Coen, Joel Coen

Release Date: October 2, 2009

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Flixster Reviews (1,242)


  • November 24, 2009
    A putzy Jewish physics professor suffers from a series of problems including a failing marriage, bratty kids, students willing to do anything for a passing grade, financial troubles, and a ne'er-do-well brother. It's a retelling of the Book of Job as an absurdist comedy; frequen...( read more)tly funny but also confounding, with a notorious non-ending. So intensely Jewish that you'll feel ready to be mitzvahed after one viewing.
  • November 20, 2009
    This is why the American movie-going public sucks: people hate this movie, but rush out to see crap like 2012.

    The reason they hate this movie? It's because people don't like to think while they're watching a movie. They just like to be fed nonstop action and cliche storylines...( read more). A movie that requires thinking and analysis is just stupid and a waste of time.

    Therefore, if you're of the "give me action and no story" sector, you're going to HATE this movie.

    If you are a person who doesn't mind thinking through a movie, then you may actually enjoy this movie.

    By now everyone has probably seen at least one Coen Bros. movie and they either hate it or love it. There's rarely any middle ground. I love everything they do, save for The Big Lebowski, which I really need to see again.

    This movie, however, I loved. On the surface it seems like a long, boring, pointless movie. Some guy has a crappy life. Big deal.

    But the thing about the Coen Bros. is that what they're not explicitly shoving in your face they're making up for in the very subtle details. And that's where this movie lives; in the details.

    As usual, the movie paints a very dark and bleak picture, a nihilistic view of life. Trouble followed by more trouble followed by more trouble followed by a second of things getting better followed by worse trouble.

    There are so many things I could say about this movie, but to do so would give away spoilers and I don't want to do that. Just watch it and think deeper than you're used to.

    I will say that the ending is about as haunting, while at the same time humorous, as you could get. Classic Coen.
  • November 14, 2009
    The Coen brothers have created THE NEW FIDDLER ON THE ROOF! Here are the reasons I say that: first, the trailer in its own way presents a musical composition to us; second, the opening scene presents roughly the same time period and place; third, the story takes place in an alm...( read more)ost exclusively Jewish community; fourth, the main character Larry is dealing with comparable family troubles and trying to find answers from God; and fifth, look at the poster.

    Now the Jefferson Airplane song Somebody to Love figures prominently into the movie too as does ceremonial Hebrew music for Larry's son's bar mitzvah. The opening Yiddish scene is darkly humorous and I suppose it is there to suggest the ancestors of the Gopniks may have caused a curse on the family. I have heard that the movie portrays a very authentic Jewish community especially in the way the characters speak and interact. Professor Larry Gopnik lives in America in the 1960's, so he only has two children, a son and a daughter, but his family and professional troubles turn his life on its head with divorce, marijuana, gambling, bribes, and seeking tenure. Wishing he were a rich man hasn't changed though! Being an educated man from the 20th century means Larry doesn't have conversations with God in the same way. He seeks three rabbis as links between him and God because the religious institution is really the only connection to tradition anymore, and being a mathematics/physics professor he is more versed in the Uncertainty Principle. Larry does actually venture up on his roof too, but not to fiddle. Well, wait... yes, by another definition of the word fiddle, Larry Gopnik is a Fiddler on the Roof. He tries to adjust the TV antenna for a show his son likes to watch and then he notices he can see his hot neighbor sunbathing nude.

    Sy Ableman is Larry's Lazar Wolf, but as with every other parallel to the old musical, there is a twist. Sy is the one described as a serious man and Larry through all his questioning and trying to fix his life crisis wants to be a serious man too. The cast is awesome! I think the Coen brothers have mixed tragic troubling moments with darkly humorous moments excellently. Like in No Country for Old Men, you may think the plot is being wrapped up all nice and neat, but then the story continues briefly and leaves you realistically (in a way fatalistically) hanging. So well constructed! I loved it!
  • November 10, 2009
    without question, this is a film i could see myself raising the score on over time. this is a deeply brooding and thought provoking film that carries along with no clear plot until the end, when suddenly it all makes sense. this alegory of the life of Job takes a unique turn, p...( read more)ondering the question, "what if Job had failed?". deakins cinematography was wonderful and the unknown actors really delivered in a film that many will hate because they dont get it, but one that should be embraced for the vision of telling a thousands of years old story with a great glimpse into morality and suffering. the coens have done it once again.
  • November 2, 2009
    A Serious Man works a lot more like Barton Fink in its' lack of glamour with "Physics vs. Fate" serving as the platform. It begins with a strange prologue that plays like Fiddler on the Roof written by Franz Kafka. Seeming to be the Coen's most intensely intimate film, it's als...( read more)o one of their most difficult to deconstruct as God puts main character Larry Gopnik through one test after another. And by God, I mean the Coen Brothers through the eyes of cinematographer Roger Deakins.

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  • December 6, 2009
    Seriously great look at a man trying to make sense of a senseless world; brilliantly observed and played, cheekily perplexing.
  • December 4, 2009
    Quite funny without nearly as much darkness as I'd expected. Quite interesting thematically as well. Just plain good.
  • December 4, 2009

  • December 2, 2009
    click for review
  • December 1, 2009
    Nearly perfect. DOes it count as going to shul??

Critic Reviews


November 12, 2009
Nick Schager, Lessons of Darkness

Isn't drawn in one-to-one cause-effect lines, its obliqueness lending suspense and interpretative depth to the Job-like suffering of Larry. full review

October 9, 2009
Mick LaSalle, San Francisco Chronicle

It's hard to love a movie that makes you feel anxious and miserable, and yet it's impossible not to respect a movie that has that power. full review

October 8, 2009
Moira MacDonald, Seattle Times

While there are plenty of oddball touches, some mystifying (like the Yiddish-language prologue, set in a Polish shtetl and seeming to have little to do with what follows it; and the abrupt ending) -- ... full review

October 8, 2009
Roger Ebert, Chicago Sun-Times

This isn't a laugh-laugh movie, but a wince-wince movie. Those can be funny, too. full review

October 2, 2009
Claudia Puig, USA Today

A Serious Man is a wonderfully odd, bleakly comic and thoroughly engrossing film. full review

October 2, 2009
Joe Morgenstern, Wall Street Journal

What do the Coen brothers want of us? More specifically, what do they want us to think of the repellent people in this pitilessly bleak movie? full review

October 2, 2009
Peter Travers, Rolling Stone

This seriously funny movie, artfully photographed by the great Roger Deakins, is spiritual in nature, barbed in tone, and, oh, yeah, it stings like hell. full review

October 2, 2009
A.O. Scott, The New York Times

A Serious Man is, like its biblical source, a distilled, hyperbolic account of the human condition. The punch line is a little different, but you know the joke. And it's on you, of course. full review

October 1, 2009
Colin Covert, The Minneapolis Star Tribune

Man plans, God laughs, and so do the Coen brothers. full review

September 30, 2009
Armond White, The New York Press

A Serious Man rejects the bland Jewishness of Judd Apatow films; it's similar to the black filmmakers' project in Next Day Air, in which social stereotypes get burlesqued, yet are used to reveal an es... full review

View more A Serious Man reviews at RottenTomatoes.com

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A Serious Man Trivia


  • what Actor plays the role of a man being interrigated by police in a serious murder case and details everything to do with the case and is set free due to mistreatment during the interview?( The last shot is of this actor laughing)  Answer »
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  • -I have been in many movies with a group of the smae actors/actresses. -I am usually in comedys -I am actually a very serious man in real life. -I write and produce a lot of my own movies. Who am I?  Answer »
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