Audrey Tautou, Benoît Poelvoorde, Alessandro Nivola

A little girl who is sent with her sister to an orphanage in the heart of France, who waits in vain every Sunday for her father to come for her...

A cabaret performer with a weak voice who ...( read more  read more... )sings to an audience of drunken soldiers...

A humble seamstress, who stitches hems at the back of a provincial tailor's shop...

A young, skinny courtesan, to whom protector Etienne Balsan offers a safe haven, amongst the idle and decadent...

A woman in love who knows she will never be anyone's wife, refusing marriage even to Boy Capel, the man who returned her love...

A rebel who finds the conventions of her time oppressive, and instead dresses in her lovers' clothes...

This is the story of Gabrielle "Coco" Chanel, who begins her life as a headstrong orphan, and through an extraordinary journey becomes the legendary couturier who embodied the modern woman and became a timeless symbol of success, freedom and style.

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59% liked it

15,728 ratings

Critics

66% liked it

109 critics

PG-13, 1 hr. 50 min.

Directed by: Anne Fontaine

Release Date: September 25, 2009

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Flixster Reviews (902)


  • November 21, 2009
    Is it just me, or does anyone else thinking this film is heavily sponsored (even suggested by) Chanel? I am certainly not the first to have noticed the strong links between the French movie industry and the fashion industry.

    The movie never ventures beyond the shallows. It skims...( read more) the surface of Coco's life before her company took off, and give us 3 pieces of information: (1) She was an orphan, (2) She worked as a seamstress, and (3) She determined not to marry. It is in the last of these that the film spends most of its time. However, the little information it divulges simply leaves us begging for more answers. At one point the prospect of war (World War I) is mentioned, but we learn nothing of the events in France in either war, or of any role she played in them. Instead it focuses on her seamstress eye for alterations, and her desire to wear unrestricted clothing.

    It's pretty enough. Just not in any way insightful or inspiring.
  • November 8, 2009
    Audrey Tautou, with her sparkling eyes and winning smile, established herself as one of our most beloved screen actresses in Jean-Pierre Jeunet's "Amelie". Oddly enough, perhaps her least glamorous role is that of a fashion designer.

    Coco Chanel is still one of the most signific...( read more)ant names in the world of fashion. Her influence single-handedly changed the way women dressed - gone was the reign of corsets and lace, Chanel's simplistic and rather androgynous fashion sense liberated women into clothes that were at once elegant and comfortable: "I gave women a sense of freedom; I gave them back their bodies." In Anne Fontaine's latest effort, Tautou inhabits the formative years of the woman who would become an icon of the fashion world.

    Beginning in the 1890's, we first meet Gabrielle "Coco" Chanel, along with her sister, Adrienne (Marie Gillain), working as singers in a bar. There, following a successful performance, she meets Étienne Balsan (Benoit Poelvoorde), the man who would entice her to live with him in his mansion. Chanel accepts his invitation, but romantic love with the baron is the farthest thing from her mind: "A woman in love is helpless. Like a begging dog."

    Her resistance to love is compromised when she meets a friend of Balsan's, Arthur "Boy" Capel (Alessandro Nivola), who convinces her to leave the baron for Paris. There she begins a career selling hats and dresses, which becomes the prelude to her rise in France's fashion industry.

    The love-triangle at the center of the picture is a bit of a bore. The film doesn't go for high melodrama - it barely passes for drama, in fact. There's no fire, no intensity to the relationships. If the filmmakers didn't wish to make a soap opera, perhaps the film should've been kept to a typical rags-to-riches procedural - here, Fontaine's film seems completely without direction, meandering aimlessly through postcards until the conclusion. It's not necessarily a bad film, but there's nothing much of interest.

    If there's one thing to praise "Coco Before Chanel" for, however, it's the look of the film. Those interested in the fashion industry will not be disappointed - the costume design here is sumptuous, and Christophe Beaucarne's cinematography is exquisite. If only there was a compelling story to match the transendant beauty gracing the screen.
  • June 27, 2009
    Could have been Audrey's La Vie En Rose oscar winner, instead is tedious and tepid. i wanted to see Coco as Channel with her wartime Nazi scandal and all her glamour.
  • November 12, 2009
    Visually pleasing, Audrey Tautou is simply stunning and delivers a high calibre performance as always. However, there is too much screen time spent telling her love life. I personally would've appreciated seeing more of Coco establishing her career, but what the hell. If women mu...( read more)st be defined in their relations to men, then so be it only because Alessandro Nivola is hot, and hot guys can get away with anything.
    If you're going to see this film, watch it until the end. I guarantee you will be touched during that end scene in the stairs and it will completely change your opinion of the film (well, it did with me. only because I am quite subject to change.).
  • December 5, 2009
    Romantic, beautiful and moving... Coco Chanel comes alive with Tautou's remarkable portrayal of a legend. The film started out strong but tapered off to a weak ending, which was a pity. Overall, an enjoyable movie worth watching.
  • December 4, 2009
    a nice insight into the life of a stubborn simplicity-obsessed fashionista. good performances from all, especially the brit "gentleman"
  • December 3, 2009
    Audrey Tautou did a great job portraying one of the most important women of the past decade. But the really amazing features in this film are more like technical. The music is great, cinematography is beautiful and well, the costumes are freaking amazing! I hope it will take at l...( read more)east the best costume design award this year.
  • November 29, 2009
    now I want one movie called Coco depuis de Chanel
  • November 27, 2009
    This is a Love Story. The Love of and for the two men in her life at that time, and Her love of simplicity! The story that shows how Mlle. detested fussy styles, and designed with elegant and simple lines to eschew, as much as possible complicated and overly worked style of la...( read more)dies clothes in the early decades of the 20th century!

    Mlle. influenced fashion for about 6o years. This film shows how it started! This is a GOOD FILM. I highlyt recommend that you see it.
  • November 26, 2009
    Ya had to get past the subtitles. I have read subtitles before but there was something about these... Anyway, the story was alright but I felt like something was missing as I watched it. I don't remembe "Boy" asking her to marry her although someone else did so I don't know wh...( read more)ere that came from on the discription above. "Boy" was to marry someone else and was happy to keep her as a Mistress. Co Co did things on her terms pretty much as some women today that end up getting called less than favorable things. This movie was not terrible, pretty good.

Critic Reviews


October 15, 2009
Colin Covert, The Minneapolis Star Tribune

The film, although sumptuously produced, is a staid and conventional account of her early years. full review

October 15, 2009
Moira MacDonald, Seattle Times

The film, understandably, leaves you wanting more about the rest of the designer's life, but Coco Before Chanel is wisely focused on those years in which she became herself. full review

October 8, 2009
Roger Ebert, Chicago Sun-Times

The film loses some of its fascination when Coco is unmistakably launched on her career path. But that's when the story ends; this is titled Coco Before Chanel for a reason. full review

October 2, 2009
Mick LaSalle, San Francisco Chronicle

Coco Chanel is not the most lovable of heroines, but it's a strength of the film that director Anne Fontaine allows Tautou to make Coco as cold and ungiving as she does. full review

September 25, 2009
Kyle Smith, New York Post

A flat, airless tale of a sullen hooker who lucked out. full review

September 25, 2009
Joe Morgenstern, Wall Street Journal

It's a special pleasure to watch this vibrant Coco taking in the world around her and turning it to her use, in her fashion. full review

September 25, 2009
A.O. Scott, The New York Times

The blossoming of her ambition, as much as her love life, drives the story forward, and turns Coco Before Chanel into a costume drama worthy of the name. full review

September 24, 2009
Claudia Puig, USA Today

The film, while scaled-down, is quite beautifully woven, like a classic Chanel tweed. full review

September 21, 2009
Nick Schager, Slant Magazine

Fontaine dramatizes Coco's struggles respectfully if mundanely, crafting believable period detail for her procession of key-life-moment scenes, all of which employ serviceable but far from groundbreak... full review

September 21, 2009
Anthony Lane, The New Yorker

I missed the desperation that goaded the real Coco--not just the sulks that pass like rain showers across Tautou's prettiness but that brisk contempt for existing conditions which led Chanel, like any... full review

View more Coco avant Chanel (Coco Before Chanel) reviews at RottenTomatoes.com

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